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At times, just as the story seems headed toward an expected conclusion, just as it feels like things should be wrapping up—some new hurdle arises to be overcome, making for a ever-tragic comedy of real life errors. They portray an artist in the lates at the height of her powers and skill, in complete control of her piano and her voice, and brashly embracing radical politics and Black Power in a way that most contemporary popular musicians were far too scared to do.
Think of Herzog not as Biblical prophet, hoisting a sign proclaiming the end times, but as the family cat, presenting you with the lifeless form of a slain household pest as a trophy. Or the driver, who eats his breakfast?
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